Among an array of work by local artists at Post-Fair and the Other Art Fair, the only white cubes to be found were floating in craft cocktails.

Yaloo’s multimedia work addresses the intersection of human and non-human consciousness, and the gap between technological advancement and spiritual practices. 

For the so-called “1.5 Generation,” music allowed an escape from the binary between home and school, Vietnamese traditions and American culture.

A new book spans artists from the 1970s through today around 15 themes, including body art, queer politics, ecofeminism, and the North American diaspora.

An exhibition showcases the late artist’s lifelong commitment to considering the relationship between the unremitting Korean War and her own diasporic identity.

Pacific Abstractions at Perrotin draws attention to Asian abstract artists and traces their legacy through contemporary diasporic artists on the West Coast.

Mirroring the work of her linguist parents, Lee crafts a visual language to communicate her diasporic experience with tension and tenderness.

Combining the provocative spirit of internet trolling, clickbait scamming, and MTV’s Punk’d, the collective satirizes consumerism while making bank.

As a self-proclaimed “Cold War baby,” Min navigated the shifting political climate of post-war Korea and plumbed the Asian-American diasporic experience.

Through his practice, Cameroon-born Ludovic Nkoth continuously grasps to connect threads of home as it remains a shape-shifting and ever-moving target.

A government tourism campaign depicting Botticelli’s Venus as a “virtual influencer” is widely criticized as trivializing the nation’s cultural heritage.