Among an array of work by local artists at Post-Fair and the Other Art Fair, the only white cubes to be found were floating in craft cocktails.

Sigourney Schultz
Sigourney Schultz is an LA-based art writer and editor. She holds an MA in Art History from Hunter College in New York City.
The K-Pop Granny Pirate of the Pacific Rim
Yaloo’s multimedia work addresses the intersection of human and non-human consciousness, and the gap between technological advancement and spiritual practices.
What Does Depeche Mode Have to Do With Vietnamese Americans in California?
For the so-called “1.5 Generation,” music allowed an escape from the binary between home and school, Vietnamese traditions and American culture.
How Did the Korean Feminist Movement Influence Art?
A new book spans artists from the 1970s through today around 15 themes, including body art, queer politics, ecofeminism, and the North American diaspora.
The Political Was Personal for Yong Soon Min
An exhibition showcases the late artist’s lifelong commitment to considering the relationship between the unremitting Korean War and her own diasporic identity.
A Group Show Bridges Asia and the West Coast
Pacific Abstractions at Perrotin draws attention to Asian abstract artists and traces their legacy through contemporary diasporic artists on the West Coast.
Maia Ruth Lee’s Art of Movement and Memory
Mirroring the work of her linguist parents, Lee crafts a visual language to communicate her diasporic experience with tension and tenderness.
The Critique-Profiteering Work of MSCHF
Combining the provocative spirit of internet trolling, clickbait scamming, and MTV’s Punk’d, the collective satirizes consumerism while making bank.
Yong Soon Min, Intrepid Korean-American Artist, Dies at 70
As a self-proclaimed “Cold War baby,” Min navigated the shifting political climate of post-war Korea and plumbed the Asian-American diasporic experience.
Ludovic Nkoth’s Fleeting Feelings of Home
Through his practice, Cameroon-born Ludovic Nkoth continuously grasps to connect threads of home as it remains a shape-shifting and ever-moving target.
Italians Are Mad at Their Country’s New “Barbie Venus”
A government tourism campaign depicting Botticelli’s Venus as a “virtual influencer” is widely criticized as trivializing the nation’s cultural heritage.